Super Slop Productions Process Start a project

SuperSlopProductions

A 100% AI film studio.

We make slop. On purpose, and better than most. No camera, no plate, no stock — just a pipeline that eats prompts and spits out films. Fifteen years of motion and VFX behind it, which is why ours doesn't look like the name.

Start a project See the work

What we do

Services

01

AI films & shorts

Script to final mix. Nobody asked for them. We made them anyway.

02

Brand films

Commercials and launch films, with shot lists no camera would survive.

03

Concept & previz

See it moving before anyone signs anything. Cheaper than being wrong later.

04

Characters & worlds

The hard part. Same face, same suit, same city — shot after shot after shot.

05

Custom pipelines

We build our own, because the ones we needed didn't exist yet.

06

Edit, sound & finishing

The part every AI reel forgets. It's the reason ours actually plays.

The rig

One pipeline,
every engine

No model is good at everything, and anyone claiming otherwise is selling one. We run them against each other on the same shot, keep whatever wins, and drop it the week something better ships. No loyalty, no licences.

Dailies

Our own review tool — built because a folder called FINAL_v7_REAL was not a pipeline. Every take off the rig is archived with the exact prompt, seed, references, engine and cost that made it.

  • Any shot can be recreated identically, months later
  • Side-by-side takes, pinned versions, one-click requeue
  • Per-render cost, duration and render time on every thumbnail
  • Nothing is ever overwritten — no take is lost
Close-up of the Dailies board: takes with their seed, resolution, duration and cost

In production

Super Slop
— a short film

Format Generative live-action · 24 fps
Pipeline H3 · LTX-2 · Dailies
Release To be announced

Frame from the cut: close-up of the masked boy, fists up, in the neon night
0100:08The kid, before
Frame from the cut: the boy charging down the burning avenue toward the creature
0200:17The charge
Frame from the cut: the boy firing a beam from his eyes
0300:23The eyes
Frame from the cut: the sixty-five foot creature roaring among the police cars
0400:29Sixty-five feet
Frame from the cut: the boy on a rooftop, the city behind him at first light
0500:38The roof
Frame from the cut: aerial view of the creature down, police lights fanned out around it
0600:41What's left

See how it gets made →

Who makes it

Directors

Mr Pinoux

Director · Technical Director

Builds the rig, then directs on it. Fifteen years of motion, VFX and art direction before the first generated frame — it shows.

Arilès de Tizi

Director

Painter and photographer turned director. The eye that decides which take survives — and kills the other forty.

Track record

Brands & studios
we've delivered for

Fifteen years of motion, VFX, 3D and art direction. The name is new. The hands are not.

Got something
to make?

Films, campaigns, images nobody has shot yet. Tell us what it is — we answer everything, even the weird ones.

[email protected]